zedex

DigiTIDE at the Caloundra Fringe Festival 2014 - Lamkin Lane, Caloundra, Australia.

Jenni Baxter

An exploration of oceanic rhythms, a virtual wave sequence derived from photographic site studies at Kings Beach, Caloundra, Australia. Baxter's art practise is concerned with the visual language of technology and functions as a deliberate adaptation of terrestrial experience

8-BIT at the Caloundra Fringe Festival - Lamkin Lane, Caloundra, Australia.
Adam Lewczuk

Postdigital

The Zedex Co-lab points significantly towards our rapidly changed and changing relationships with digital technologies and art forms. By embracing Postdigitalism, we embrace an attitude that is more concerned with being human, than with being digital. In our practice postdigitalism primarily refers to the exploration of new avenues dealing with the extraction of the digital into the physical, the result of which aims to create hybrid artworks. Artworks resulting from the cross between two diverse realities. That of the physical existence and that of the abstractness of the digital world.

Postdigital (Adjective). Of or pertaining to art forms that address the humanization of digital technologies through interplay between digital, biological, cultural, and spiritual systems, between cyberspace and real space, between embodied media and mixed reality in social and physical communication, between high tech and high touch experiences, between visual, haptic, auditory, and kinesthetic media experiences, between virtual and augmented reality, between roots and globalization, between autoethnography and community narrative, and between web-enabled peer-produced wikiart and artworks created with alternative media through participation, interaction, and collaboration in which the role of the artist is redefined.

The Future of Art in a Postdigital Age: From Hellenistic to Hebraic ... By Melvin L. Alexenberg